Cinematographer

IN-HOUSE CINEMATOGRAPHER

Still freelancing your way through 3-day shoots that credit you as videographer Still quoting clients who vanish after the first revision

It's time to stop shooting for other people's visions, and start building your ow

n.
ABOUT HUMOUR

ME
Humour Me is a creative agency working with some of India's most exciting and ambitious brands. We're not a production house. We're a creative company that believes great visual storytelling is the most powerful business tool there is — and we're building a team that proves it every

day.
THE OPPORT

UNITY
We're looking for a full-time cinematographer who wants to do the most interesting work of their career, not on a film set someday, but right now, on social. You'll own the visual language of content that reaches real audiences for real brands, from scroll-stopping Reels/Shorts to long-form documentary-style brand

films.
WHO WE'RE LOOK

ING FOR
Someone who thinks in frames. Some

• one who:
  Can walk into any location and instantly see

• the shot
  Knows the difference between lighting for a product close-up, a POV styled review, a sketch piece or a run-and-gun street do

• cumentary.
  Has opinions about aspect ratios, colour science, and why one lens tells a different story t

• han another
  Can shoot a founder interview that feels like a conversation, not

• a deposition
  Understands that a 15-second Reel and a 3-minute brand film are both cinema — just differen

t disciplines
If you're the person on set who can't stop thinking about the next shot while everyone else is on a chai break, this role was

made for you.

• 
  
  WHAT YOU'LL DO
  Shoot and (ideally) edit social content for brands

• across categories
  Develop visual formats that become signature series — sketches, reviews, rants, founder stories, behind-the-sc

• enes content, etc.
  Collaborate with the Humour Me creative team on scripted and

• unscripted content
  Bring your eye to ideation, not just execution, we want you at the table when the idea is being built, not just when the camera needs to

• be pointed somewhere
  Build a body of work you're genuinely proud of, across c

ategories an

• d formats
  
  WHAT YOU GET
  A long-term creative home —

• not a gig, but a career
  Real brand briefs with

• room for creative vision
  A collaborative environment with writers, directors

• , editors, and strategists
  The gear, the time, and the supp

• ort to do the work properly
  A portfol

io that keeps ge

tting better
IDEAL BACKGROUND
We care more about your reel than your resum

• e. That said, you likely have:
  A body of work — social content, short films, brand videos, or personal projects — t

• hat shows your visual instincts
  Solid command of a camera system (Sony, Canon, BMPCC — te

• ll us what you shoot on and why)
  Working knowledge of post: even if you're not the editor, you understand how y

• our choices on set affect the cut
  Self-directed — you

• bring ideas, not just availability
  1–4 years of experience in social content, br